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Sound and Music Computing
Sound and Music Interaction Seminar
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Sound and Music Interaction Seminar
Calendar
Sound and Music Interaction Seminar
Calendar
The SCHAEFFER Dataset - Spectromorphogical Corpus of Human-annotated Audio with Electroacoustic Features For Experimental Research
NAVET at Nobel Week Lights 2024 with sound and light installations
Interactive Sound and Music Technology for Everyone
Building and Connecting Music Systems with O2
Web Audio Modules, including 3D/VR extensions
Distant Memories of the Void
Best Practices for Robot Death
Multimodal Machine Learning for Social Robots
Hello Accomplice: Robot Sound & Anthropomorphism
From Motion Pictures to Robotic Features
"I have a Dream..." - Baltic Sea Festival: What is music needed for in a sustainable society?
The Audible Universe
Emotional and Socially Realistic Virtual Human with Personality Framework
Presentation of Thor Magnusson’s "Sonic Writing"
Perception of musical notes in the visual modality: using synaesthesia to explore auditory-visual associations
Many Makings
The Design of Data Sonification
Sound Forest 2.0 - The role of lighting in inclusive interactive museum installations
Plastic Extension of Music
Mattias Sköld 80% seminar: Sound Notation
Back to the future! Using contemporary musical and artistic methods to (re)interpret historical music
Sound in Human-Robot Interaction
Making space for singing tools in the 21st century classroom
How the blind audience receive and experience audio descriptions of visual events. Does the quality or the interpreter’s voice and speech matter?
How and why we should make grocery shopping a sensory experience
Using semantic score encodings for music performance research
Expression of Emotion in Voices and Faces
Musical complex adaptive systems (CASs)
Let Music Show You the Way: Sonifying Movement to Augment Rehabilitation
Music in Quarantine
SMC Seminar: Authorship, Agency and Distributed Creativity in Interactive Musical Works
The Sonified Textiles: Crafting The Tangible Sounds of Transculturality
IMAGINEERING FRAGMEDIALITIES - Field recording and mapping practices as rituals for listening, exploring and re-imagining space
Rotting sounds – Digitality and materiality
Folk Song Lab: Deconstruction, improvisation and flow
MID Researchers at SMC, HRI, and ISMIR conferences
KTH at the New Interfaces for Musical Expression (NIME21)
Sound and Time
Sonification for communication
User stories of Erkki Kurenniemi’s electronic musical instruments, 1961–1978
"Live by the sword..."
Disruptive innovation in sound design and audio production
The listening eye: A pedagogical experience: graphic tools for thinking sound
Open lecture: JackTrip with Chris Chafe and Mike Dickey
The Guerrilla Setup – a Meditation on Freedom
The Complexities of Simple Actions: Designing Sonic Affordances for Performance
Designing the unnoticeable
Space, Place, Sound & Memory: Hearing Historic Scotland
With Music as a Script: Intermedial narrative between classical art music and moving image
Aesthetic Sensitivity and Perceived Affect
Aesthetics, technology and site-specificity in two artistic interactive performances
Calendar
Sat 22 August
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